Firecreek


1h 44m 1968
Firecreek

Brief Synopsis

A pacifist sheriff must use tougher means when his town is threatened by a band of outlaws.

Film Details

Genre
Western
Release Date
Jan 1968
Premiere Information
El Paso, Texas, opening: 24 Jan 1968
Production Company
Warner Bros.--Seven Arts, Inc.
Country
United States

Technical Specs

Duration
1h 44m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Five freebooting adventurers from the Missouri range wars--Larkin, Earl, Drew, Norman, and Willard--enter the frontier town of Firecreek and decide to remain there until Larkin recovers from a wound. Fearing trouble, the local parttime sheriff, Johnny Cobb, leaves his nearby farm and his pregnant wife, Henrietta, to spend the night in town. While Larkin is recuperating at a boardinghouse run by Mr. Pittman, he considers the arguments against lawlessness voiced by the old man's granddaughter, Evelyn. Larkin's men, however, continue to terrorize the town and disrupt church services held by itinerant Preacher Broyles. The townspeople plead with Cobb to drive the gang out of town, but instead he tries to reason with them. His efforts prove to be futile when Arthur, a simpleminded stableboy, attempts to prevent Drew from raping an unwed Indian mother, Meli, and accidentally kills the gunman. Although Cobb jails Arthur for the boy's protection before returning to his farm to look after his wife during her labor, the gang members force the townsfolk to attend a wake for Drew and then coldbloodedly hang Arthur. Aware that Larkin and his men stayed in Firecreek because it was a town of self-defeated men who would not compete, Cobb at long last decides to stand up to the lawbreakers. Taking his gun, he kills Earl, Norman, and Willard but is, in turn, wounded by Larkin. Refusing to concede defeat, Cobb reaches for the gun which was shot out of his hand by Larkin. He is saved from certain death by Evelyn, who kills Larkin with a rifle shot.

Film Details

Genre
Western
Release Date
Jan 1968
Premiere Information
El Paso, Texas, opening: 24 Jan 1968
Production Company
Warner Bros.--Seven Arts, Inc.
Country
United States

Technical Specs

Duration
1h 44m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Firecreek


Late in James Stewart's career, at a time when Hollywood was cutting back on its annual output, releasing either big-budget musicals (for which he was unsuited) or small, offbeat independent films like Pretty Poison (1968, which were equally out of his realm), James Stewart stuck with what worked best for him throughout the preceding decade - the Western. That genre, too, had changed somewhat over the years, and Firecreek (1968) reflected the changing times. For example, the movie's brutality - an attempted rape scene, Stewart's killing of an outlaw with a pitchfork through the chest, ugly dirty villains, and a moody score (by multiple Oscar®-winner Alfred Newman) - was obviously influenced by the European-produced "Spaghetti Westerns" that made a star of Clint Eastwood.

The plot, however, is a throwback to one of the classics of the genre, High Noon (1952). In Firecreek, it's Stewart as the pacifist sheriff rather than Gary Cooper, and just like that earlier film, he finds he has to single handedly protect a town of cowards against a brutal outlaw band. And similar to the climax of High Noon, Stewart is saved from certain death by a gun-welding woman - but not his wife. Instead, it's the saloonkeeper's daughter, who has tried to coax the chief villain into renouncing his evil ways.

In an interesting twist, the villain of the piece is played by Stewart's old pal, Henry Fonda, in their first movie together since On Our Merry Way in 1948. (They were both in How the West Was Won, 1962, but did not have any scenes together.) Firecreek, though, wasn't entirely a positive experience for Fonda, who wasn't used to playing heavies. The man who had played presidents (most notably in Young Mr. Lincoln, 1939), Wyatt Earp (My Darling Clementine, 1946), and Steinbeck's Tom Joad in The Grapes of Wrath (1940), was now delivering lines like: "I always say if a man's worth shootin', he's worth killin'." Years later in his autobiography, Fonda wrote, "I played a bad guy who tried to kill Jim Stewart. Now, any man who tries to kill Jim Stewart has to be marked as a man who's plain rotten. You can't get much worse than that." Actually, Fonda did get a whole lot worse. A year later he played one of the screen's most cold-blooded killers in Once Upon a Time in the West (1969), an epic Spaghetti Western directed by Sergio Leone, the man who practically invented that sub-genre.

The director of Firecreek, Vincent McEveety, and his two producers, Philip Leacock and John Mantley, came primarily from TV backgrounds, having spent some time laboring on the classic western series Gunsmoke. (McEveety also did a number of Star Trek episodes.) Fonda had praise for the director's skills with actors and even credited McEveety for not letting Stewart "get away with" his usual mannerisms, "things Jimmy Stewart has used to make a caricature of himself almost." Apparently, such sentiments did not affect their working relationship because a short time later, Fonda and Stewart teamed up again, this time for a bawdy, lighthearted Western comedy, The Cheyenne Social Club (1970). As for McEveety, he followed Firecreek with a handful of successful Disney Pictures, including The Apple Dumpling Gang Rides Again (1979), but has mostly focused on his television career.

Director: Vincent McEveety
Producer: Philip Leacock, John Mantley
Screenplay: Calvin Clements
Cinematography: William H. Clothier
Editing: William Ziegler
Art Direction: Howard Hollander
Original Music: Alfred Newman
Cast: James Stewart (Johnny Cobb), Henry Fonda (Larkin), Inger Stevens (Evelyn), Gary Lockwood (Earl), Dean Jagger (Whittier), Ed Begley (Preacher Boyles), Jay C. Flippen (Mr. Pittman), Jack Elam (Earl Norman), James Best (Drew), Barbara Luna (Meli), Brooke Bundy (Leah).
C-105m. Letterboxed.

by Rob Nixon
Firecreek

Firecreek

Late in James Stewart's career, at a time when Hollywood was cutting back on its annual output, releasing either big-budget musicals (for which he was unsuited) or small, offbeat independent films like Pretty Poison (1968, which were equally out of his realm), James Stewart stuck with what worked best for him throughout the preceding decade - the Western. That genre, too, had changed somewhat over the years, and Firecreek (1968) reflected the changing times. For example, the movie's brutality - an attempted rape scene, Stewart's killing of an outlaw with a pitchfork through the chest, ugly dirty villains, and a moody score (by multiple Oscar®-winner Alfred Newman) - was obviously influenced by the European-produced "Spaghetti Westerns" that made a star of Clint Eastwood. The plot, however, is a throwback to one of the classics of the genre, High Noon (1952). In Firecreek, it's Stewart as the pacifist sheriff rather than Gary Cooper, and just like that earlier film, he finds he has to single handedly protect a town of cowards against a brutal outlaw band. And similar to the climax of High Noon, Stewart is saved from certain death by a gun-welding woman - but not his wife. Instead, it's the saloonkeeper's daughter, who has tried to coax the chief villain into renouncing his evil ways. In an interesting twist, the villain of the piece is played by Stewart's old pal, Henry Fonda, in their first movie together since On Our Merry Way in 1948. (They were both in How the West Was Won, 1962, but did not have any scenes together.) Firecreek, though, wasn't entirely a positive experience for Fonda, who wasn't used to playing heavies. The man who had played presidents (most notably in Young Mr. Lincoln, 1939), Wyatt Earp (My Darling Clementine, 1946), and Steinbeck's Tom Joad in The Grapes of Wrath (1940), was now delivering lines like: "I always say if a man's worth shootin', he's worth killin'." Years later in his autobiography, Fonda wrote, "I played a bad guy who tried to kill Jim Stewart. Now, any man who tries to kill Jim Stewart has to be marked as a man who's plain rotten. You can't get much worse than that." Actually, Fonda did get a whole lot worse. A year later he played one of the screen's most cold-blooded killers in Once Upon a Time in the West (1969), an epic Spaghetti Western directed by Sergio Leone, the man who practically invented that sub-genre. The director of Firecreek, Vincent McEveety, and his two producers, Philip Leacock and John Mantley, came primarily from TV backgrounds, having spent some time laboring on the classic western series Gunsmoke. (McEveety also did a number of Star Trek episodes.) Fonda had praise for the director's skills with actors and even credited McEveety for not letting Stewart "get away with" his usual mannerisms, "things Jimmy Stewart has used to make a caricature of himself almost." Apparently, such sentiments did not affect their working relationship because a short time later, Fonda and Stewart teamed up again, this time for a bawdy, lighthearted Western comedy, The Cheyenne Social Club (1970). As for McEveety, he followed Firecreek with a handful of successful Disney Pictures, including The Apple Dumpling Gang Rides Again (1979), but has mostly focused on his television career. Director: Vincent McEveety Producer: Philip Leacock, John Mantley Screenplay: Calvin Clements Cinematography: William H. Clothier Editing: William Ziegler Art Direction: Howard Hollander Original Music: Alfred Newman Cast: James Stewart (Johnny Cobb), Henry Fonda (Larkin), Inger Stevens (Evelyn), Gary Lockwood (Earl), Dean Jagger (Whittier), Ed Begley (Preacher Boyles), Jay C. Flippen (Mr. Pittman), Jack Elam (Earl Norman), James Best (Drew), Barbara Luna (Meli), Brooke Bundy (Leah). C-105m. Letterboxed. by Rob Nixon

Quotes

It's obvious you and your men are hired killers down from the northern range wars.
- Evelyn Pittman
We work in the open. We eat and drink with the ranchers who hire us...and are as much respected as anyone in the country.
- Bob Larkin
Don't quibble any fine line with me, Mr. Larkin. You're as dishonest as any common road bandit.
- Evelyn Pittman
I'm not ashamed of the part I play. There's not a territorial border we cross where there's men waiting...hoping I can take them on...waiting to call themselves Larkin men.
- Bob Larkin
You're admitting your only importance is collecting men who don't care whether they live or die...who only live for the moment.
- Evelyn Pittman

Trivia

Notes

Location scenes filmed in Arizona and California.

Miscellaneous Notes

Released in United States on Video May 18, 1994

Released in United States Winter February 1968

Released in United States Winter February 1968

Released in United States on Video May 18, 1994